Diving back to triads in all positions. I don’t naturally grab these triads up the neck, but now is as good a time as any to start.
After listening to a good amount of Holdsworth (and watching this insane video: https://www.youtube.com/watch?v=wts2Mw6Nb5s&t=54s), I’ve realized I need to expand beyond just straight major/minor modes. Here’s an exploration of Melodic Minor in its first position. There are two natural ways to view it in this position, and I don’t have a strong view as to which feels more natural, if either.
This particular shape of the minor 7 is one of my favorites. It’s easily movable and removes the extra 5th from the typical barre chord, which leaves more space for the rest of a track without sacrificing complexity.