Working out the 7th arpeggios by position is proving quite useful. Let’s kick off with Aeolian using A for simplicity’s sake.
I’ve been struggling with ways to highlight modal sounds lately and figured I should try and work out characteristic arpeggios. I don’t know if this is an accepted concept or not, but I’ve found it useful, so figured I’d throw them out there. The first one is a Lydian arpeggio, which is just the major 7 with an added #4/#11.