To be fair, I mostly threw this one in for the sake of completeness. I won’t claim I’ve had much success with the min6, though I did enjoy the root-5 variation that looks like an ‘M,’ as it is easily dropped to a minor add-b13 chord that I’d never played before. I also found that this chord works much better for me in arpeggio form. Sounding the notes individually scales the heavy dissonance back to a more usable tension, a strategy I plan to test further in other chords I’ve had trouble using.
Pedal On 